I'm not going to compare fashion editorials to buses. That's too obvious. But here's another one shot in the last days of 2014 in Manchester's Northern Quarter...
Read MoreManchester Beauty Editorial
In my mind there's two types of beauty photographs. The first type is ubiquitous - when they're well done and perfectly retouched they look great - but you struggle to remember them. They all look the same, all blend into each other. Ultimately, they're the same shot taken over and over. The second type are basically any beauty shot you can actually remember. Beauty doesn't mean you can't have emotion and impact.
Read MoreMale Underwear Shoot
A few weeks ago I had probably the busiest period of photography since I picked up a camera. Rattling up and down the M6 between London and Manchester I think I shot somewhere in the region of a dozen commercial shoots in just over a fortnight. This is the job that started the first week - working in Manchester with a great team for a proudly British brand, British Boxers (you can read their story here). A beautiful lifestyle shoot showing their new range of male stretch trunks and Double Dapper nightwear on the envy-inducing physique of Boss Model's Gavin Fawcett. Art direction came from the charming Josh Taylor, the lovely Hester Brodie made sure the garments looked perfect and grooming was expertly taken care of by Ms Paula Maxwell.
Read MoreThe United States of Manchester - Fashion Editorial
Once in a blue moon I get to post my photography before anybody else. There's lots of reasons why this never usually happens. For commercial work it goes without saying that you wait for the images to be released, but for personal work it just slips out there. During the shoot the team will Instagram behind-the-scenes shots, previews or 'sneak peeks' get trailered onto Twitter and blogs, models want to use the images in their books for a 'last minute casting' and before you know it the shoot is old news, fragmented parts of the whole drifting around cyberspace in a digital fashion jigsaw.
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